German Peace Prize For Photography
Picture Credits: Part of the nominee series German Peace Prize for Photography 2019 "Peace is ..", Sameer Al-Doumy, France, sameeraldoumy.com.
SET A SIGN FOR PEACE.
The topic of peace is omnipresent in the wake of increasing armed conflicts and is thus a dominant theme of our time. We humans long for peace especially when there is discord. Discord between peoples or ethnic groups, discord in society or in the family. But also every human being himself longs for inner peace and harmony.
With the German Peace Prize for Photography, the initiators, the Peace City Osnabrück with its Museumsquartier and the Osnabrück-based Felix Schoeller Group, would like to give space to the discourse on peace on another level. Professional photographers worldwide are invited to submit their image series on various aspects of the topic of peace and thus make their own personal mark for peace.
The “German Peace Prize for Photography” honors works that conceptually and artistically interpret the topic of “Peace” by means of the medium of photography. Here, the term peace may be very broadly interpreted. For example, it may express peace between peoples, peaceful coexistence in a country or a family, or the inner peace of individuals. There are no limitations set with regard to the photographic genre. The photographs submitted could well be, for instance, journalistic works or portraits or landscapes.
The prize money for the winner of this peace award is €10,000. The photo contest entry is free. The submission period begins on 15.09.2022 and ends on 15.01.2023.
Learn more about the award and the time schedule
The jury of the German Peace Prize for Photography
Chairman of the jury
Michael Dannenmann is a photographer and internationally one of the most important representatives of contemporary portrait photography. He is co-founder of the German Peace Prize for Photography and the Felix Schoeller Photo Award. After studying painting at the Kunstakademie Stuttgart and photography at the Hochschule Dortmund, he began to use conceptual photography in his portrait work. Today, he still primarily focuses on people, often from the field of art, music, dance, etc., whom he portrays in their personal environment or in the studio. Themes such as transformation and role reversal repeatedly play an important role in his work. In addition to his jury management, Dannenmann travels worldwide to stage people for his highly acclaimed portraits. His artwork has been featured in international magazines, book projects, and also in numerous exhibitions and collections. Outside of his photographic work, Michael Dannenmann conducts workshops and curates exhibitions. He is a member of the DGPh.
Cathérine Hug graduated in art history, computer science and journalism. From 2008 to 2013 she was curator at the Kunsthalle Wien, where she was responsible for many exhibitions, including the thematic presentations 1989: End of History or Beginning of the Future? (2009) and Salon der Angst (2013). Since 2013, Hug has been a curator at the Kunsthaus Zürich, where she is responsible for the following exhibitions: Europe: The Future of History (2015) co-curated with Robert Menasse; Francis Picabia: A Retrospective (2016) with Anne Umland, in collaboration with MoMA, New York; Oskar Kokoschka: A Retrospective (2018/19) with Heike Eipeldauer in collaboration with the Leopold Museum Vienna; Schall und Rauch: The Wild 20s (2020/21) in collaboration with the Guggenheim Museum Bilbao; Gerhard Richter. Landscape (2020/21) with Hubertus Butin and Lisa Ortner-Kreil in collaboration with the Bank Austria Kunstforum Wien; Earth Beats: Naturbild im Wandel (2021) co-curated with Sandra Gianfreda; and most recently Take Care: Art and Medicine (2022). In 2019 as well as 2020, Hug was named by Women in Business magazine included in its list of Switzerland's Top 100 Women in Business, Science, Culture, Media, Digital and Startups.
Nils-Arne Kässens is the Director of the Museum Quarter Osnabrück, the complex comprising the Felix-Nussbaum-Haus, the Museum of Cultural History, the Villa Schlikker, and the Akzisehaus. In the course of his career, Kässens realized numerous national and international art projects, for example, for the Art and Exhibition Hall of the Federal Republic of Germany, the Exhibition Hall of the Fridericianum Museum, the Museion Bolzano, or sculpture x/USA. As a guest lecturer, Nils-Arne Kässens lectured at universities including the University of Kassel, the Leuphana University in Lüneburg, Windsor University in Canada, or at Wayne-State-University in the USA.
Simone Klein is Art Advisor as well as independent and publicly appointed and sworn expert for photography in Cologne. After studying art history, Roman and German language and literature in Bonn and at the Sorbonne in Paris, she became assistant at the Galerie Kicken in Cologne. Then head of the photography department at Kunsthaus Lempertz Cologne, then director of the photography department at Sotheby's Europe with auctions in Paris, London and New York. Most recently she was international director of the Print sales department at the Agency Magnum Photos in Paris. Member of the curatorial committee of Photo London as well as the nominating jury of the Prix Pictet, chairwoman of the advisory board of the SK Stiftung Kultur - Die Photographische Sammlung Köln, member of the advisory board of the Photoszene Köln and member of the executive board of the Deutsche Gesellschaft für Photographie (DGPh). She also lectures on art and photography market at the Danube University in Krems and at the Sciences Po Lille.
Hannah Schuh lives in Hamburg and works as Visual Director at ART - Das Kunstmagazin. After studying photography at the Royal Academy of Arts in The Hague, she began her training as a picture editor at DIE ZEIT. She worked as a freelance photographer and picture editor at ZEIT and Tempus Corporate before joining ART in 2013 where she can combine her passions for photography, art and journalism.
For the German Peace Prize for Photography
The jury of the German Peace Prize for Photography consists of the jury members of the Felix Schoeller Photo Award and one additional person from the field of peace research.
Prof. Dr. Ulrich Schneckener
Ulrich Schneckener has been Professor of International Relations & Peace and Conflict Studies at the University of Osnabrück since 2009. He studied political science at the Universities of Mainz, Leipzig and Berlin as well as at the London School of Economics, he received his PhD from the University of Bremen in 2000 and worked at the Stiftung Wissenschaft und Politik in Berlin from 2002 to 2009. Since 2016, he has been chairman of the board of the German Foundation for Peace Research (DSF). He has been researching international security and peace policy as well as the management of civil wars and political violence for over 20 years. His most important German-language publications include "Auswege aus dem Bürgerkrieg" (Edition Suhrkamp, 2002), "Transnationaler Terrorismus" (Edition Suhrkamp, 2006), "Fragile Staatlichkeit" (editor, Nomos 2006), and "Der lange Schatten der Miliz" (co-author, Campus 2016).